My paper, "Margins as memory: suspended traces of life and absence," will be presented at the 2026 International Network of Experimental Fiction Film Conference, held at the University of Salford in Manchester on 18–19 June 2026.

The 18th century is often framed as an age of frivolity, of aristocratic leisure and ornamental excess. Rococo interiors dissolve structure into decoration; painting abandons gravity for movement, flirtation,

Cinema ia also a game of illusion. It exists because of a defect. The eye cannot fully register the gaps between images; it retains each frame just long enough for the next one to overlap with it.

The optimism embedded in “Tomorrow” cannot be separated from the material conditions of Annie herself.

In issue #132 of Tubelight Magazine, the editors invited artists and writers to reflect on mourning and temporariness: the end of creative partnerships, the dissolution of cultural spaces, and the quiet afterlife of long-term projects. What grows when certainty dies?

I grew up in the 1990s in a small city in northern Greece, in the strange optimism of an era shaped by European funds and the doom of the arrival of "hungry" immigrants from formerly socialist countries.