Our panel, “Future-ready tools for a smarter audiovisual ecosystem”, will open up conversations about how emerging technologies, AI, simulation tools, and new collaborative infrastructures—are reshaping the way we produce, experience, and preserve moving images. For me, this is a chance to reflect on how these tools can support more experimental, critical, and culturally anchored film practices rather than replace them.

The inaugural Forum for Film Education organised by the Amsterdam School for Cultural Analysis & the Netherlands Institute for Cultural Analysis was an inspiring gathering that brought together scholars, filmmakers, educators, curators, and practitioners working across film and media. The two-day event offered a rich cross-disciplinary exchange on the future of film pedagogy,

Today I attended a one-day workshop at the Netherlands Film Academy that tackled a question I’ve been wrestling with in my own practice: how do we sustain trust in documentary filmmaking when images, voices, and even “evidence” can be synthetically produced?

Created as a prop for a key scene in You will only see a flash of light, Smaragda Nitsopoulou’s The Tamata Hill (You will only see a flash of light) draws on the Orthodox tradition of tamata—metallic votive offerings left by believers in hope of divine intervention. In the film, the sculpture appears as a towering, compact cone: a monumental mass of metal reflecting the overwhelming weight of collective prayer and grief. It features in a choreographed lamentation performed by

You are about to enter someone’s home. You are not invited. What will happen in this house? What has happened in this house? Through this invitation to intrusion, Nitsopoulou explores the psychological weight of spaces marked by trauma, using the act of trespass to evoke questions about what occurred and what lingers unseen. Through fragmented imagery and a haunting atmosphere, the film revisits a traumatic televised event, turning the personal home and collective homeland in

"Tektite" short film makes its International premiere at the Athens International Film Festival

We thank the Greek FiIm Center for supporting our project " Black R ock " currently in pre production. Our project was selected along with 11 other short film projects from a total of 68 submissions. The GFC co-financing of the film will be of 20.000€. Congratulations to all the screenwriters and directors who were selected! The film is a co-production of Piece of Cake and Noumenia Films. Official announcement in Greek

Larnaca Biennale presents the names of the individual artists and artist groups whose artworks have been selected by the Larnaca Biennale Jury Committee for participation in the third edition of the Biennale. This year’s curational theme, “Home Away from Home” , conceived by curator Yev Kravt prompted artists from around the world to submit their proposals, resulting in the selection of 101 artworks that encapsulate the essence of the theme. Unveiling the soul of the Larnaca

My upcoming documentary project, currently in production, "Death Under Control"